Argh this video is hard to watch, being that it’s a great snapshot of 2000’s style metal music videos… Yikes. I do remember binging the crap out of this song, I was particularly taken by those harmonics (and they’re still cool). This is a mix bag band, made up of members from other bands who got together and made a song for the Roadrunner 25th Anniversary album. The vocalist is from Trivium and was the nominated ‘leader’ for his group, all at the age of about 20 I think. Not bad, not bad.
Roadrunner United – The End
Here’s some interesting sonical stuff for ya. These guys are a psychedelic noise rock band from the UK and this song is off their 2016 album Lucky Beast. There’s definitely a bit of interesting stuff going on in there. Have an ear gander!
The Infinite Three – Like Moss
I like learning something new. Today I learnt that the drummer from Bon Iver does some solo stuff under his moniker S. Carey. Trivia! This is off his 2014 album Range Of Light.
S. Carey – Neverending Fountain
I’ve decided the best way of coming up with titles for my posts is to pilfer words from the clutter on my desk. Let’s see how that goes. In other news, here is a song that I should have put up yesterday but completely forgot about. My bad. This is off SOHN‘s latest album Rennen. It’s got the feels! It’s a nice uncluttered sound – simple drum beats, a bit of keyboard with occasional electronic flourishes, and understated vocals. What’s not to like?
SOHN – Signal
I’m pleased to see the back of yet another Tuesday. Regrettably I seem to have chosen the worst possible time to ween myself off coffee, given that I’m proofing, reading, and generally exercising my brain to the point I’m surprised it hasn’t dribbled out of my ears… Mmmm mmm. Luckily with the help of music, I’m keeping my ears plugged! This Instrumental band reminds me of Barrows, a bit of Caspian, and a little bit of Explosions In The Sky. Here’s a solid track.
Standing In The Colour – Infinite Density
Ummm I’m just going to leave this here:
“The idea for this part of the story started on a day when there was really heavy rain hitting the roof window at my old flat. I got out my binaural mics and put my head right up by the window with the big raindrops hitting all around. They made nice individual percussive noises, with great spatial positioning, so I decided to use them to seed a piece of music.
This track is the most explicit representation of the idea of emergence in the album, because the rhythm of the track is created by the raindrops in an emergent manner – I took the audio samples, mapped the transients for the raindrop hits, and then forced the mapped points towards the nearest drumming grid positions. This meant that the random raindrops were pushed into a quantised grid, and the result was that a percussive rhythm emerged, one that I hadn’t created myself, but was the closest rhythm to that particular section of rain.
I then played the sansula over this rain rhythm, and added lots of pads and saturation layers, finally with some vocal snippets from Kathrin deBoer to complete the track. Maxime Causeret selected this track to work with, under the brief to map the emergent rhythm to an exploration of emergence in living form.”
Essentially he used rain to create the foundation of the track? How crazy is that!
Max Cooper – Order From Chaos