If you’re a fan of instru-metal music then I highly recommend you check out this little album. It’s five tracks of very satisfying music, reminiscent of Pelican or Monolord (minus the vocals), or maybe even a heavy Astralia. They’ve managed to capture a satisfying atmosphere with these songs. Definitely worth a listen.
Some years ago I stumbled upon this band and posted a song up here. Today marks the 3 year anniversary of that song! Just kidding, it’s a bit over 3 years though, and these guys released a new album earlier this year. I have given it a few spins and I like what I’m hearing. Bit more cohesive (at a glance) than their previous album, and I’m digging that album cover too. So have a listen and see what you think. This is:
Oh Hiroshima – Darkroom Aesthetics
Here’s a song from a band I know absolutely nothing about. But I really have enjoyed this song over the last few months. My music taste seems to have shifted towards the “Post Hardcore”/”Melodic Metalcore” spectrum over the past couple of years. As an educational aside, let’s just have a quick look at what characterises these 2 genres.
Post Hardcore: Has been around since the 1980’s and has enjoyed a certain revival over the past decade. Pilfering from Wikipedia, Music database AllMusic stated “these newer bands, termed post-hardcore, often found complex and dynamic ways of blowing off steam that generally went outside the strict hardcore realm of ‘loud fast rules’. Additionally, many of these bands’ vocalists were just as likely to deliver their lyrics with a whispered croon as they were a maniacal yelp.” Allmusic also claims that post-hardcore bands find creative ways to build and release tension rather than “airing their dirty laundry in short, sharp, frenetic bursts”.
Metalcore: Has also been around since the 1980’s, and like Post Hardcore, has its roots in Hardcore Punk. “Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing. Other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However the death growl is also a popular technique within the genre.”
I find myself being rather picky about which bands fall within this cross section appeal to me. There’s a certain melodic clean vocal/scream combo which comes from the Post Hardcore, and when done right, is extremely satisfying when paired with the heaviness of Metalcore. Take this song for example.
Defences – In Eclipse
I have to say I do enjoy finding the black sheep song on albums. That odd one out which is usually experimental or pared back, maybe acoustic, maybe electronic… Case in point, today’s song is a floaty melodic number off an album of djenty metal tunes. I likes it! The name of the song refers to a particular kind of cloud so it seems befitting. And hey, it’s a circular tune!
I Built The Sky – Floccus
Today’s circular tune comes all the way from Sweden via 2003. This is Burst with an instrumental interlude type tune. FYI don’t go listening to the rest of the album expecting similar stuff, it’s Prog Metal otherwise. Good album though if that kind of music floats your boat.
Burst – Fourth Sun
I think the less said about this song the better. Tosin Abasi who started the band, plays an 8 string guitar and it’s crazy, go have a squiz at some videos of him playing it. And hey, a new album coming out soon by these fellas!
Animals As Leaders – Arithmophobia
I’m sorry, I completely forgot to do an elephant related post last week. Just completely slipped my mind, and truth be told, now I stop and think about it, I think I’ve had enough of the elephant theme. It was fun, it made life interesting, but now for something else. Brighter pastures await… I think we’ll all miss the elephants, but that part of my life is behind me now. There I said it. Now turn your ear to this. This song (and the supremely excellent album The Hymn of a Broken Man) really helped me get through a break up some years back. It’s an excellent combination of somber, brutal, and optimistic. A side project of the lead guitarist from Killswitch Engage, Adam Dutkiewicz, and the former (now returned) vocalist, Jesse Leach. The riffing that kicks in at about 1:45 gets me every single time. Still.
Times Of Grace – Fall From Grace