Foley Horn

Hmmm, I seemed to drop off the radar again there. Oh well. Don’t think it really matters. Here’s something I’ve been spinning a few times lately. Reminds me once again of a heavier Hammock blended with a splash of old Glass Vaults (before they got all hippie and new age haha). These guys released a new EP just recently called The Black Moon, and an album last year which is really quite great called Death Spells. Check them all out.

Holy Fawn – Blood Pact

Murky Mysterious Magic

My girlfriend and I had a music night the other day and this is one of the songs she played. I like it when you listen to a song and immediately think, I want to hear that again. You know that something is really going right. I think Grimes is this generations answer to Björk, she has the same kind of strange experimental music, slightly otherworldly vocals, and seems to just operate on a different level to most other musicians. And she’s a bit weird too. For example she has a new album coming out in Feb next year (Miss_Anthropocene) which is about a demon that lives in space and loves the thought of an apocalypse… Yeah, ok. This track is one of the singles she’s recently dropped, and I’ve really enjoyed it’s ethereal nature. I think I prefer the edited version but can’t seem to find that one on youtube, so here’s the full length. Do yourself a favour and play it but don’t watch the visualiser.

Grimes – So Heavy I Fell Through The Earth

Straight Down Into The Ground

Here is post number 2 for this week. So far so good. I’m actually having a little bit of trouble deciding which songs to post at the moment as I’ve accrued a reasonable selection since I stopped posting in 2017. Lucky for me! Anyways, this band takes its name from “Wolf-Alice,” a late-seventies short story by Angela Carter. Think of it as a blend of “Little Red Riding Hood” and “Through the Looking-Glass,” about a feral girl who is raised by wolves. Typically led by a female vocalist, this song is the odd one out on the album in that it has the drummer assume vocal duties. It’s a gentle little number (for the most part), and reminds me a little of Solomon Grey, probably due to some of those falsetto notes. I enjoy drifting away on it a little I must say.

Wolf Alice – Swallowtail

Round Transparent Cup Teaspoon

Another desk title hits the mark! So I’ve given this song a few listens over the past few days and I’m really liking it. Very atmospheric instrumental stuff, brings to mind Jakob, Hammock, If These Trees Could Talk and a bit of Sembler Deah. I’ve had it on as background music so haven’t given it the attention it deserves, but I intend to, and hope you will. Don’t be fooled by the name, these guys are from Spain and this song is off their upcoming album Solstice.

Astralia – Detachment

Well That’s Confusing AF

Ummm I’m just going to leave this here:

“The idea for this part of the story started on a day when there was really heavy rain hitting the roof window at my old flat. I got out my binaural mics and put my head right up by the window with the big raindrops hitting all around. They made nice individual percussive noises, with great spatial positioning, so I decided to use them to seed a piece of music.

This track is the most explicit representation of the idea of emergence in the album, because the rhythm of the track is created by the raindrops in an emergent manner – I took the audio samples, mapped the transients for the raindrop hits, and then forced the mapped points towards the nearest drumming grid positions. This meant that the random raindrops were pushed into a quantised grid, and the result was that a percussive rhythm emerged, one that I hadn’t created myself, but was the closest rhythm to that particular section of rain.

I then played the sansula over this rain rhythm, and added lots of pads and saturation layers, finally with some vocal snippets from Kathrin deBoer to complete the track. Maxime Causeret selected this track to work with, under the brief to map the emergent rhythm to an exploration of emergence in living form.”

Essentially he used rain to create the foundation of the track? How crazy is that!

Max Cooper – Order From Chaos

Damn It, There Goes Another One

I’m disappointed to learn (a bit late to the party) that Agalloch has disbanded. There goes yet another of my formative bands, they had some stellar albums in their career and some of the most epic songs. My new theme is “The End” (all the more befitting with Agalloch now gone) and will run for the next 4-5 weeks. Just to forewarn you, as of the beginning of April I won’t be posting with such regularity. I’m changing lifestyle, going travelling, and so don’t know if or when I will have the time to post. I’d still like to put up music when I can, to keep the soundtrack of my life going, and throw mystery bands at you. Fingers crossed. BTW Look beyond the vocal style in this track and listen to the surrounding music, the lyrics, don’t let the vocal growls etc put you off.

Agalloch – In The Shadow Of Our Pale Companion